Thursday, April 30, 2009

i wasn't gonna buy just anyone's dancing cockatoo that is a backstreet boys fan (would you?)

vid:



A dancing cockatoo named Snowball is proof that humans aren't the only species with rhythm, a team of neuroscientists in California is reporting.

Snowball bobs his head and lifts his feet to songs from Queen and the Backstreet Boys and can keep time when the music is sped up or slowed down. The rocker bird offers clues about the evolution of the human capacity to make and enjoy music, say the researchers, who have published their findings in the journal Current Biology.

Until Snowball, it was widely believed that the ability to move in time to a beat was something uniquely human, says Aniruddh Patel, who studies music and the brain at the Neurosciences Institute in San Diego and who is lead author of the paper.

Other primates don't dance, and some scientists had theorized that dancing, or even foot tapping in time to a song, is a unique specialization of brains that evolved to recognize, produce and enjoy music. But the grooving cockatoo challenges that notion, Dr. Patel says.

“It favours the idea that music is an invention built from brain systems that have other day jobs. It's not that we have circuits in our brain that evolved for musical functions, but that we draw on other brain regions that perform other roles.”

Dr. Patel learned about Snowball in 2007, when someone sent him a link to a video of the bird dancing on the Web site of Bird Lovers Only Rescue Service in Indiana.

“I had never seen anything like it.”

He contacted Irena Schulz at the rescue service, and asked her if she wanted to collaborate. She agreed.

Snowball's previous owner, a retired steel worker and huge Backstreet Boys fan, left the bird because he could no longer cope with it. His daughter had left for college, Snowball missed her, and became increasingly difficult to manage.

Dr. Patel had interviewed the man, who said Snowball was about six years old when they bought him. He noticed the bird would bob his head in time to the Backstreet Boys. His daughter began dancing with the bird, which may be how Snowball learned to move his feet.

Dr. Patel and his colleagues put Snowball through his paces with music played at a variety of tempos to show that he was, in fact, moving to the music.

Dancing appears to be something Snowball picked up on his own, they say, not something he was trained to do.

“It is remarkable. This is not an animal that has trained the way you train an animal in the zoo or a circus … He developed this spontaneously,” Dr. Patel says...

- the globe and mail

(thanx cameron)

Wednesday, April 29, 2009

oh wait, maybe not

u2 stage set up.

related: the claw, and the claw in progress.

Tuesday, April 28, 2009

i like this

bono included.



playingforchange.com

- via

Monday, April 27, 2009

the face of larry mullen jr. says he really and truly enjoyed this bono massage

Sunday, April 26, 2009

why the new york jets drafting mark sanchez is awesome news: let me break out the telestrator (+ other stuff)







have you seen the head of hair on this kid? sweeeet.

(still, i voted wait and see on this, i'm not that crazy).

watch your back, david lee.

anyway ...

tunes:

[mp3] halfmast - the dears
b-side that didn't make it onto their last album missiles. these guys are touring with eulogies in may. both tres good live bands.

[mp3] i'm gonna try - kid bombardos
it's three french dudes, 21, 18 and 16. they are calling it garage/indie but it is funkier and more interesting than that. song turns punk rock half way through.

[mp3] true love will find you in the end - headless heroes
daniel johnston cover. it's hard to screw up this song. it is a spooky song. i like the guitar on this version about halfway in.

[mp3] cold is - dish
[mp3] i'm so sick of the 21st century - radical sons
[mp3] invisible cities - nomo

also:

video clip: bono interviews george clooney. full interview will air on friday on cnn. bono the journalist. demands. a. clipboard. love it.

photos: 1 / 2 / 3 / 4 and more here, bono and ali in venice on saturday at this. EXCESS.

Friday, April 24, 2009

rhetorical

is it inappropriate to say i like bono's shirt if he is wearing it at a funeral?

Thursday, April 23, 2009

u2 - magnificent (fred falke radio mix)

get the mp3 here or here.

- via

related:
fred falke on myspace

waiting for the rapture



noel gallagher recorded his contribution to (red)wire in "an unusual backstage location" at madison square garden last december. the exclusive acoustic version of 'waiting for the rapture' will be available on april 29 through (red)wire, which, yeah ... i do not have a subscription to.

i do like noel, tho. (if you sign up now for a free trial of redwire, you will get the noel gallagher song for free).

later

pg. 31, rolling stone, april 30, 2009 issue



(looks like the little dude in the rocket ship just spied b on the beach)

Wednesday, April 22, 2009

bono tucks his shirt in, now? what?

Monday, April 20, 2009

still breathing (just a desire to use words that are not vowels)

there was a 12 page cover story on u2 in hot press magazine last month. (march 11 issue date). i noticed some scans of that hot press article online a while back, but they were small and hard to read, and i never got around to linking to them. the more sleuthy among you have likely seen the full article already. but, if not ... the scans are here and here.
(warning: size is barely readable)

the hot press interview, by olaf tyaransen, is very good and there are several snippets worth quoting.

but, here’s just one part (below) that i enjoyed for many reasons, not least of which is that it involves a pretty amusing bono anecdote. the part about ginsberg. and the book. it cracks me up. plus, thank you michael stipe for encouraging the path to breathe. (serious).

Breathe is currently my favorite song on the album.
Bono: Me, too! Me, too! It’s great to perform it.

Lyrically it reminds me of Stipe’s E-Bow The Letter and Dylan’s Subterranean Homesick Blues but also a little of one of Allen Ginsberg’s raps. I remember when he visited Ireland in 1995, you two did some recording together. Was that ever used anywhere?
Bono: Were you not at the event at Liberty Hall? No, you were at the Galway reading, weren’t you? The Liberty Hall thing was a great event. It was great. I remember I bought him a suit at Louis Copeland’s. So he had this suit. And in fact, Ginsberg when he died, he auctioned everything he owned – every single thing he owned. Some people were shocked. Well, his friends were. It was Gavin who introduced him to me – he was a very good friend of Gavin Friday’s. And he was always meticulous about everything he did. And he sold all of his stuff off for that Buddhist institute, Napa.

Go on!
Bono: Anyway, I looked at the stuff and I thought I’d buy one of his pens or something. And then I saw a copy of Oscar Wilde’s An Ideal Husband, which I thought was so funny – for him, if you think about it. So I said to myself, ‘I have to buy that!’ Because I collect first editions. And I got it. I didn’t get some of the other things I bid for – I guess the pens were very popular, and I didn’t buy the suit. I bought the Uncle Sam hat and I gave it to Gavin for his 40th birthday – you know, the famous Uncle Sam hat he wore in photographs? And I got the book for me. When it came back, I opened it, and written inside was ‘To Allen Ginsberg – Love, Bono’. Ha, ha! I’d forgotten I’d given it to him. But Ginsberg was a real maestro as well as a professor, and he was very good to me. And you’re absolutely right about the lineage. Dylan will credit him. Obviously America was a big influence on the Joshua Tree, as was Howl. And because my style of singing is operatic, I use a lot of vowel sounds. Very restrictive for a writer. So sometimes it’s nice to break away from that and just use a sort of scattergun. And as regards Michael Stipe – it’s strange. It was his favorite. He loved that and encouraged me down that direction.

Your debut New York Times column*** reads a bit like that.
Bono: It’s from the same flow. Just a desire to use words that are not vowels.



Scatter O’ Light Sidenote:
breathe is my favorite song on no line on the horizon. it’s the most BONO song on it. not all those other bonos. THE BONO. and it comes through to me on record and even more strongly in the way he sings it and in his body language when he is singing it live.

visual hint:





peace


*** i am not commenting on bono's ny times columns until the third one comes out because i am pretty sure only then will i comprehend his trilogy of wtf. or wtb.

peace out again -

Thursday, April 16, 2009

a warning about the fox that was gonna chase me would also have been nice



ha ha. bye bye colorado. going back to ny today. where i am more likely to be chased by a corgi. which, incidentally, being a new yorker, is exactly what i mistook a wiley lil fox for at first glance when it totally started stalking me down a trail yesterday. i wish i had some video. but no.

latez

Wednesday, April 15, 2009

there's a lot riding on this, not least our fragile little irish egos

um, zane lowe calls bono the b-man? wtf? YO.

this brief interview is pretty funny style bono, tho.

bono talked to bbc dj zane lowe earlier this week. (it's just a few minutes long, listen here, fast forward to 2:17:35).

b-man is out of breath. (me too.)

x

via

Tuesday, April 14, 2009

what's the story



der.



i am in boulder, colorado on a work trip and trying not to pass out as i chase some seriously there is something wrong with these fuckers they are so fit people up the flatirons.

breathe


obviously what most impresses me about this place is that they have a morning glory road sign.

later

Thursday, April 09, 2009

what shows are you guys going to? (and how long before we get to start complaining about the setlists?)



last fall i went to spain on a work thing and my big goal was to get back there and spend more time and make it not cost me too much and this seems to have worked out. so i'll be in barcelona for a few weeks this summer and then, er, stopping in dublin on the way home. i even have one of my not really a u2 fan friends coming for the whole trip. this person found out about the whole "oh my gosh, u2 is playing barcelona and dublin at the same time we'll be there? no way!" thing sort of after the fact. ha ha.

30 June 2009 Nou Camp Barcelona
24 July 2009 Croke Park Dublin
25 July 2009 Croke Park Dublin
27 July 2009 Croke Park Dublin
20 September 2009 Gillette Stadium Boston MA
24 September 2009 Giants Stadium New York NY
25 September 2009 Giants Stadium New York NY

so, after listing the concerts i bought tickets for, totaling a lot of dollars, i have to be the dumbass who admits that i am really annoyed that u2 is playing stadiums in the u.s. trust me, i know that sounds stupid. and entitled? they aren't playing some entire continents, at all. (on leg one). and europeans don't mind stadiums. maybe they even like stadiums? but come on, a u.s. arena tour would be waaay better. stadiums are so not fan friendly. also i am pretty sure half of the setlist is going to be from the past three albums! fuck u2, or something.

honestly i look forward to any and all of the no line on the horizon tunes they choose to play live, i could just do without the whole beautiful day vertigo elevation city of blinding lights stuff. oh, also, pride, sunday bloody sunday and bullet the blue sky. go away!

so, who is going to dublin? (if you don't want to comment, email me!) quick! because we only have 3 1/2 months left to plan a meet up! heh.

latez

Monday, April 06, 2009

U2 dá 1ª entrevista para Portugal à SIC

more mileage from the fez sit down interviews that u2 did last month. i like this. this one is a portugese tv interview.

thanx cris

stream

stream the new doves album, kingdom of rust, here

listen below to another u2 remix - magnificent (pete tong and paul rogers mix)



meh.

taking care of business - this article that ran in the irish independent yesterday is a reprint of the cover story that brian hiatt wrote for rolling stone last month.

snip (this part interested/amused me):

... Clayton and Mullen haven't even heard what Bono calls the "spider songs" yet, but the singer is hopeful that he can convince them to release the tunes in the form of a U2 album. "If we do, it'll be a monster, 'cause it's the most accessible music we've probably ever written," Bono says. "It could be our Tommy. We could do it with guest stars and everything."

It all seems very promising, but there's already a dissenting vote: Larry Mullen Jr. "Yeah, I'm not convinced about that," Mullen says. He's dressed all in black, still as lean-cheeked and handsome as in his Rattle and Hum days, somehow managing to project an alpha-male swagger even while leaning back on a fluffy couch pillow at the band's waterfront headquarters. The place is bright, modern and airy -- it could pass for, say, Google's Dublin branch, save for the Elvis memorabilia on the walls. We're on the ground floor, where a door is open to let in the breeze from the River Liffey. "I think it's a Bono and Edge project," Mullen continues, "and I think that's really valuable and really good. But I wouldn't have chosen Spider-Man as my theatrical debut. I would have loved to have worked with Cirque du Soleil or something more left field. And that's not a criticism. So this was Bono and Edge's choice, and fair play to them and I wish them the best in the world. It's not my project, so I'd have to come in on it and become a session musician, and I'm not good at that."

Mullen can't help smirking when he hears that Bono has taken to comparing Turn off the Dark to Tommy. "I think that's great," he says, but then holds out both hands, palms up, as if weighing two objects. "Spider-Man . . . and Tommy? It's a big jump, I think." So is there any chance he'll do it? "I'll listen to a good argument any day," Mullen says. "That's what U2 has been doing for over 20 years; we've argued our way to the top, you could say."

....


and ...


there's a lot of life left in us old geezers yet - depeche mode's dave gahan talking to the sunday tribune (ireland), the conversation included some thoughts on bono, u2 and no line on the horizon...

Sunday, April 05, 2009

teeth are very important because that’s what your face hangs on.

Saturday, April 04, 2009

give me justice

french electro duo justice has remixed get on your boots. stereogum posted the remix yesterday to predictable response. several blogs are hosting this like totally hot as shit u2 justice mp3. try here or here or here or here.

okay, so, i only just got around to watching the below pitchfork interview with u2. i am generously going to give these questions a 1.3 out of 10. since i have just read an entire stereogum comment section, i might add that the whole pitchfork interview would have inched toward a 3.1 rating if fucking bono would have died in the middle of answering a question.



also, it might have been nice if the questions in person had an inkling of resemblance to the bite of the 4.2 out of 10 review of the new u2 album that pitchfork posted a week before the above interview took place. (portion of review below, highlighted portions could easily be turned into great questions. i.e., "edge, why do you suck? is it a conscious decision?" "bono, same question.")

...
First single "Get on Your Boots" is a worrisome harbinger-- to call it a mess would be generous. The song combines sub-Audioslave riffs with Escape Club's "Wild Wild West" and sounds more disjointed than the worst Girl Talk rip off.
"I don't wanna talk about wars between nations-- not right now!" claims Bono on the song, before extolling the virtues of tight leather boots. His off-the-cuff attitude and delivery suggests a cheekiness missing from U2's music for more than a decade, but it's a red herring. While other tracks like "I'll Go Crazy If I Don't Go Crazy Tonight" and "Stand Up Comedy" feature knowing lines that examine the singer's faults and hypocrisy, the album is heavy on half-assed word-salad characterizations and the sort of meaningless platitudes Bono used to be so great at (barely) avoiding. And there's a strong theme of resignation running through the record; whereas many classic U2 tracks have come from Bono's struggle with faith and certainty, he seems content to give up agency on songs like "Moment of Surrender" and "Unknown Caller". "I've found grace inside a sound," he sings on "Breathe", and the line seems like a cop-out from a man who spent so much time struggling with salvation.

Meanwhile, the album's ballyhooed experimentation is either terribly misguided or hidden underneath a wash of shameless U2-isms (the three-note ring Edge nicks from "Walk On" for "Unknown Caller", the "oh oh oh" outro from "Stay" apparently copied and pasted into "Moment of Surrender", etc.). While Eno used to work his unique sound-bobbles and ambiance into the fabric of U2 songs, he seems content to offer spacey intros totally disassociated from their accompanying tunes here (see: "Fez - Being Born", "Magnificent"). And oftentimes the band mistakes risk-taking for ill-fated arrangements and decisions. "Surrender"-- reportedly improvised in one seven-minute take-- comes across as lazy indulgence, and the title track's hard-nosed verse is torpedoed by its deflating fart of a hook. As the go-to sonic innovator of the group, the Edge dials in a particularly dispiriting performance throughout; his rare solos usually pack in enough panache to fill stadiums but his bluesy blah of a spotlight on "Surrender" would barely satisfy a single earbud. ...



later

Friday, April 03, 2009

magnificent (dance moves)